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Showing posts with label Shepherd. Show all posts
Showing posts with label Shepherd. Show all posts

21 September 2015

Album review: Sklamberg & The Shepherds- Aheym/Homeward

New album coming soon (3 Oct. 2015)


There has been a rising tide of new Yiddish music in recent years, and the latest to ride the crest of the wave are Sklamberg & the Shepherds with their first collaborative release aheym/homeward. New York- based Lorin Sklamberg has had an immeasurable impact on the global Jewish music scene since the beginning of the Klezmer Revival. His instantly recognizable vocal style and musicianship, as well as his reputation as a leading Ethnomusicologist have put him at the top of the Klezmer scene for decades. The UK- based husband/wife duo Polina and Merlin Shepherd have won acclaim for their worldwide concert performances and recordings. Polina is a highly regarded vocalist in multiple languages, and Merlin is among the top Clarinetists in the world today. 

Which brings me to the idea of this collaboration of these three artists, each a master of the genre, past guests of Klezmer Podcast, and longtime friends of mine as well. I've seen them performing at the same event, but not all together. So, I had never considered the possibility of them doing something together. But to be honest, even before I heard the first note of the album, I had the thought that this was going to be something great, something groundbreaking. And I was right. 

I had the good fortune to hear these tracks in uncompressed WAV format on my reference home theater system. This made for a highly enjoyable listening experience, but more about the technical side of things later. What about the performances?

I was pleasantly surprised at how well Lorin and Polina blend their voices. The harmonies are beautiful, and they each have moments to shine. 

On the faster songs like Ma Noymar and A Gezang Fun A Traktorist there is a joy in the music that is easy to relate to and forms the basis for the increasing popularity of Yiddish song today. Lorin's Accordion and Merlin's Clarinet help to keep the energy up and your toes tapping.

The fast Horas Hafiflik and Di Bekhers Mit Vayn are in a traditional style and allow everyone some space to shine.

Lorin shows his delicate side and high vocal range on the slow lullaby Viglid, a piece that sounds simple, but is incredibly difficult to perform. And he just nails it!

The most adventurous piece here is Ay-Yay-Yay, a complex song sung in Russian. A feature for Polina, she and Lorin weave their way in and out of harmony, with a delicate accompaniment from Merlin on Clarinet. I kept coming back to this track over and over gain. Simply breathtaking! Polina is also featured on Sankt Besht, a slow waltz, and the longest track on the album. She is a great storyteller, and gives an emotional performance that defines her unique style and solidifies her worldwide popularity.

Not to be left out, Merlin gets his own space on Khalvat and Sahar 1 and Sahar 2. His depth of feeling and impeccable technique are on full display, and show why he is one of my favorite Clarinetists. He can go from a rich, dark tone on one song, to a bright, light touch on one of the fast songs. All amazing performances. 

Being an audiophile, I'm always looking for good sound in recordings. I have to say that the depth and detail here is top notch. While the voices sound clear and natural, the detail in the instrumentals is where I found the greatest enjoyment. I have to come back to Khalvat to say that I feel it is the best engineered track on the album. Hearing every breath, the subtle, single notes from the Accordion, the movements of the Piano, all give the feeling that you are there in the studio with them during the recording session. And guess what? The album was mixed by Merlin. Say no more.

Final thoughts? Sklamberg & The Shepherds take us on a musical journey that entertains, is full of both joy and deep emotion, and pushes us further into the resurgence of Yiddish song. Come along and ride the wave with them. You definitely will not be disappointed. 


Album available here:

24 February 2008

Review


Review: Hilda Bronstein Sings Yiddish Songs Old And New
Hilda Bronstein


I frequently write about new, young artists and their approach to Yiddish song. The case with Hilda Bronstein is quite different. While Yiddish Songs seems to be her first release, she has a lifetime of experience with the language as the daugher of Polish immigrants. She devoted much of her life to family and career, only recently returning to Yiddish song after meeting Merlin and Polina Shepherd and collaborating to make this album. On this album she shows her command of Yiddish by using both the Polish and Litvish dialects.

The liner notes state “The songs on this album form a vibrant and colourful patchwork, each piece capturing some facet of the lives of East European Jewry- they are the expression of the very soul of a people from its darkest hours to moments of ecstatic joy.” That aptly sums up what this recording has to offer. Everything from joyous freylekhs, waltzes, and tangos to mournful songs of loss and yearning.

My favorite song on the album is Zingt Oyf Yidish, by Arkady Gendler. Written after the breakup of the Soviet Union, it celebrates the joy of being able to freely sing in Yiddish.

Other notable songs are Mayn Shtetele Belz and Dos Kleyne Tsigaynerl, both familiar, yet get a fresh, heartfelt treatment here.

A word about the musical accompaniment by the Merlin Shepherd Quartet. They are a perfect fit for Hilda’s voice on this album. The Quartet has the ability to blend perfectly into whatever style is called for on each song. Merlin has been one of my favorite Clarinetists for a long time, and he lends his signature sound here in a very tasteful way. The Quartet plays with delicacy and understatement on the slower songs, but then breaks out with unabashed joy on the faster ones. It seems as though Shepherd and Bronstein have found a framework for their music that showw both in their best light.

The engineering quality on this recording is outstanding, thanks to the Production/Engineering/Mixing efforts of Pablo Carcamo. The mix sounded great on everything from my home theater to earbuds to computer speakers. The instruments and vocals are clear and distinct, with a good sound stage and depth of tonal quality.

The CD insert booklet is very well done, and at 32 pages, covers a lot of ground. The liner notes are printed in English, German, French, and Spanish, and there are full song lyrics in both Yiddish and English.

If you’re a fan of Yiddish song, you will no doubt enjoy this album. I’ve been listening to a number of Yiddish albums recently, and this rates as one of the best.

Keith Wolzinger
Klezmer Podcast


Hilda Bronstein Sings Yiddish Songs
Old And New
Hilda Bronstein
ARC Music EUCD 2054
2007


1. Bialystok (words & music: unknown) - 3:16
2. Oyfn Veg Shteyt a Boym (words: Itsik Manger, music: sometimes credited to P. Laskovski) - 4:00
3. S'iz Finster in Gas (words: Meir Harats, music: Efim Chorny) - 2:26
4. Avreml der Marvikher (words & music: Mordecai Gebirtig) - 4:45
5. Melokhe - Melukhe (words & music: Zelig Berdichever) - 5:27
6. Ven Der Regn Zipt in Droysn (words: Mendl Lifshits, music: Efim Chorny) - 2:44
7. Gelibte (words: unknown, music: Egan) - 3:45
8. Dos Lidl Fun Goldenem Land (words & music: Mordecai Gebirtig) - 3:16
9. Zingt Oyf Yidish (words & music: Arkady Gendler) - 3:39
10. Di Sapozhkelekh (trad.) - 3:27
11. Praven Veln Mir a Khasene (words & music: Aaron Lebedeff) - 3:01
12. Dos Kleyne Tsigaynerl (words: Itsik Manger, music: Herts Rubin) - 3:40
13. Ikh Vel Dikh Keyn Mol Nisht Farbaytn (words & music: unknown) - 2:10
14. Mayn Shtetele Belz (words: Jacob Jacobs, music: Alexander Olshanetsky) - 4:34
15. A Vogn Shikh (words: Avrom Sutzkever, music: Tomà? Novotn?) - 2:37
16. Zing Brider Zing (words & music: unknown) - 5:06

Playing Time: 58:39 min


Links:
Hilda Bronstein
ARC Music