Boom Pam - Pop Oud (Forthcoming Delights 45)

Here is something new from Israeli band Boom Pam:

A MEDITERRANEAN SURF ROCK TUBA DRIVEN POWER TRIO, SEASONED WITH DUELING GUITARS AND ALCOHOL SOAKED WEDDING PARTY ECSTASY

Links:
Audio Montage Entertainment
Boom Pam

Kabbalah- Der Bosfor- Live At The Mint- Los Angeles

Watch Kabbalah perform during their current USA tour:






Kabbalah backstage before the show:

Review: Radio Babel

Watcha Clan, the French-Mediterranean group from Marseilles, is at it again with their newest release, Radio Babel. If there is a band who could single-handedly bring about World Peace, this is the one. Unlike the biblical Babel, which caused Man’s separation by creating all the different languages, this album succeeds in bringing many languages and cultures together to celebrate the One-ness of mankind.

The siren of the group, Sista K, sings in multiple languages with ease, and manages to communicate the feeling of each song perfectly. French, English, Arabic, Spanish, Yiddish, and more are handled with finesse.

Suprem Clem is the gifted beat-master who comes up with the most danceable background rhythms that perfectly complement Sista K’s luscious vocals. His balanced use of Electronic beats and Acoustic instruments are the key ingredient in the band’s worldwide success. There is never a moment that goes by without something interesting happening in this music.

The central idea of World Peace is given focus with three tracks on the album. The opener, With or Without The Wall, as well as the longer version, With or Without Extended Mix, rail against the concept of any kind of wall, physical or political. A line spoken on the track conveys the simple idea: “It is time to make peace in every land.” Another spoken voice is more direct: “But the idea that you can actually put the wall and so that there will be no contact and that there will be therefore no violence is just not true. The people who want to do violence will do the violence with or without a wall. With a little more difficulty or less difficulty.” The extended version is more of a dance mix, with more electronic and vocal beats, some great Bass and Guitar riffs, and some cool panning effects. The third track of the group is We Are One, Watcha Clan’s plea for a single global community. As Sista K offers: “Land and Men. Who does the land belong to? Men or God? Nobody owns the land. Land is free. So why wars, why borders?” I applaud Watcha Clan for their noble goal. If World Peace cannot be achieved through political and diplomatic efforts, maybe it could be achieved through the sharing of music, one of the most powerful forms of communication there is.

Hasnaduro is a feature for Nassim, accompanied by Sista K, and has a full complement of North African Arabic rhythms and modality. I love this style. It is full of energy and makes you just want to sing along.

Im Min Alu Intro/Im Min Alu starts with a reed instrument opening, brass choir and Sista K soaring above them all, then switching into a Klezmer-style beat for a moment before going into a Spanish/Ladino vocal with a terrific blend of electronic beats and fills. Suprem Clem uses a wide range of sound effects in his work, and for this song he has chosen a doorbell and creaky door to fill the gaps.

Il Etait Une Fois Dans L’Est starts with a Banjo and whistling before Sista K joins in with a beautiful rendition of the Yiddish standard Shen Vi Di Lavone. Some Klezmer style Violin fills complete the authentic feel, and the switch to a French vocal seems just right. The slower pace gives a short respite from the fast pace of much of the album.

Driving electronics and drums with Electric Guitar keep the pace fast on Fever Is Rising, another plea for peace, and perhaps a musical response to this year’s political upheavals among the Arab nations. With the spoken lines, “It is time to make peace with the planet.” “And the fever is rising.” “Out of sight and out of mind”. “Life or death. But there is hopeful news as well. We have the chance to change the world.” “We are what is wrong.” “Now is the time.” “And the fever is rising” becomes a chant repeated through the song, acknowledging the rising tide of grassroots political change.

Tangos Del Cachito and El Quinto Regimiento give Sista K a chance to sing in Spanish, and the electronic beats will surely keep the dancers on the floor, especially the Flamenco-influenced latter track.

Osfour takes us back to the Arabic world, with the appropriate electronic effects and simpler acoustic Guitar and Bass keeping the song from getting too heavy. La Camel keeps us in the same geographical zone, with Arabic and French bouncing back and forth, and a heavier electronic remix feel keeps things moving. A fun surprise at the end is to switch into an old big band version of Bei Mir Bistu Shen, fading out with an old scratchy record sound layered on top.

Viens Viensopens with and old scratchy record sound then goes into a Piano solo before transitioning to a fast beat and French lyric. Some great Guitar riffs and driving electronics keep this track on the move.

Gypsy Dust takes us far away to the Balkans where these regional Brass Band rhythms are blended with Suprem Clem’s electronic wizardry to create another wonderful Watcha Clan mashup.

Ashanti blends Sista K’s english lyrics with African rhythms, chants, and hand claps and driving electronics to give another dance track that will bring everyone out on the floor.

Radio Babel succeeds on so many levels. Multiple languages, varied ethnic beats, clever use of Electronics, and masterful musicianship combine to drive Watcha Clan to the top among World Music groups. Listen and enjoy. Feel the world beats. Let yourself be taken on the global journey that is Radio Babel.

Band Members:
Matt Labesse (bass)
Nassim Kouti (vocals, guitar)
Sista K (vocals)
Soupa Ju (production & management)
Suprem Clem (sampling, programming, keyboards)

Track List:
1. With Or Without The Wall 2:11
2. We Are One 3:58
3. Hasnaduro 3:47
4. Im Nin'alu Intro 1:47
5. Im Nin'alu 3:21
6. Il Était Une Fois Dans L'est 4:02
7. Fever Is Rising 4:30
8. Tangos Del Cachito 3:27
9. Osfour 3:58
10. La Camel 2:06
11. Viens, Viens 4:27
12. Gypsy Dust 4:24
13. Ashanti 5:10
14. With Or Without The Wall (Extended Mix) 4:49
15. El Quinto Regimiento 4:09
16. Overseas Rêveries (Digital Bonus Track) 5:15

Piranha Musik- Radio Babel
Watcha Clan Website

Klezmer Podcast 81- Isra-Alien

Klezmer Podcast 81- Isra-Alien. This episode features an interview with Gilad Ben-Zvi and Oren Neiman of the band Isra-Alien, from New York. They are a Guitar duo playing Mediterranean-influenced music on Nylon-string and Steel-string guitars. They have released a self-titled album, Isra-Alien. From the album we hear Santorini Sunsets.
Run time: 38:58.

Listen here:

Shotnez Bursts Onto The Scene

Once in a great while there appears on the musical horizon a fresh, new sound that pushes into new areas of the sonic spectrum. Today, that new sound comes from Shotnez, a band formed by Ori Kaplan and Tamir Muskat, of Balkan Beat Box fame. The music comes from an experimental base, but still speaks to us from their Mediterranean roots. Smooth melodies are punctuated with wild improvisations and complex rhythms.

The Guitar lines of Stephen Ulrich have a surf quality that adds another dimension to the antics of Kaplan’s multiple Saxes and Muskat’s eastern punk Drumming and mixed Electronica, while Itamar Ziegler’s Bass holds everything together with finesse. Short bits of spoken word add to the mood and randomness of the endeavor.

The band’s website uses the terms Art Rock, Noise Rock, and Crime Jazz to describe the music, but I think that I can most easily relate to Mediterranean Surf Noir. Shotnez truly is cutting edge music and defies classification by genre. The genre listed in the iTunes Store is “Alternative,” a term that I think is vastly over-used. All that being said, I think that Shotnez is on to something here that is rich, deep, and exciting.

The opener, Stolen Goods is a fast-paced tour-de-force that will whet your appetite for what is to follow. Driving Drums, Bass, and Electronica back the Sax/Guitar lines that have both a Surf and Balkan quality, if such a thing is possible.

Bagdad is a bit more experimental in nature, and has only a slight Middle-Eastern rhythmic quality.

Golden Apples is a bit more low key, with sparse percussion and longer melodic lines from the Saxes, and Jazz Organ pads underneath. Some tasty improvisational turns from the Sax and Guitar add some authenticity and remind us that Jazz is to be found here in some measure. The slightly out-of-tempo bending melody near the end is a nice touch that lets us down easy and shows the soul of the band.

Swag is a smooth groove with a swinging drum feel and great interaction between Sax and Guitar.

New Country starts with a nice Guitar riff, with Bass and Percussion. The Saxes join in with a very smooth Jazz line in harmony, then break into a sweet improv section. I Wish it was a longer track.

Chaos features some cool interplay between Sax and Guitar, with a lot of background Percussion going on. A nice slow jam is happening here!

Untested cranks up the heat with a frenetic beat and cool electronic rhythms going on, and a jazzy line from Sax and Guitar.

New Low is a moderate tempo jam featuring Guitar in a Punk-Jazz vibe followed by the Sax in a similar vein. I guess this is what Crime Jazz is all about. Yeah, baby!

Black Eyed Susan starts off easy, but soon the Saxes come raging in with the melody, supported with the strong attack of Bass and Drums. This is my favorite track and, I think, really defines what Shotnez is all about. Great stuff!

East Broadway takes us back into the Jazz groove, with Sax taking the lead on a smooth line that sounds like it could be a movie score. Probably the most traditional song on the album, it is a fabulous crossover piece for those just discovering the Shotnez universe.

Dear John is a rich interlude for the Guitar. This could also make for a good movie score, as the smooth lines lead to a sense of serenity.

Make It Run takes us back to a bluesy Surf Noir groove, this time with a Vocal. It has a beatnik 1950’s feel that is so cool and so fitting the Shotnez vibe. Check out the driving Bass lines that keep everything moving forward.

Shotnez has burst onto the scene and thrown down the gauntlet for all those Alternative-Punk-Jazz-Rock-Electronica fans out there. These guys are not about to be pinned down to a single music style. They have created their own distinct brand, and that is Shotnez. Enough said! Highly recommended for all of you who enjoy seeking out new sounds and new musical expressions. Yeah, man. Groovy!


Shotnez:
1. Stolen Goods 03:28
2. Baghdad 03:45
3. Golden Apple 05:17
4. Swag 03:09
5. New Country 02:06
6. Chaos 03:51
7. Untested (Fifth Bordeaux) 03:23
8. New Low 03:42
9. Black Eyed Susan 04:35
10. East Broadway Boogaloo 03:04
11. Dear John 02:46
12. Make It Run 04:30

The Band:
Ori Kaplan- Sax
Tamir Muskat- Drums/Electronica
Stephen Ulrich- Guitar
Itamar Ziegler- Bass

Shotnez- JDUB Records