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Showing posts with label french. Show all posts
Showing posts with label french. Show all posts

06 May 2014

Klezmer Podcast 114- Estelle Goldfarb




Klezmer podcast 114- Estelle Goldfarb. This episode features a two-part interview with Violinist Estelle Goldfarb. Estelle talks about her new album Naissance, and her musical journey from classical to hip hop, acoustic to electric. We hear the tracks Tchek and 10h22.
Run time: 41:39.


Update from Estelle, 8 May, 2014:

Dear friends,
I am very happy to let you know that my album “Naissance” is going to be released on 6 May.
You can download it on bandcamp, iTunes as well as order it on http://www.estellegoldfarb.com/?page_id=2133&lang=en
I would like to thank all who joined me on this fantastic journey: the producers, musicians, technicians, guests, photograph, designer, my friends and family.
If you like the album, please post a comment on iTunes or Spotify !
Here is the video to introduce the album, please share it with your friends : https://www.youtube.com/watch?v=E1e_XHX-V3U !

You find here as well the podcasts of my recent radio interviews 

http://www.valleefm.fr/podcast.php: jazz broadcast Vallee FM
And if you want, please like and share this fanpage https://www.facebook.com/estellegoldfarb

Hope to see you soon !
Estelle

03 May 2014

Klezmer Podcast 113- Sarah Aroeste





Klezmer Podcast 113- Sarah Aroeste. This episode features an interview with Sarah Aroeste, a Ladino singer specializing in music from the Sephardic tradition of Greece. We hear the track Gracia, from her album of the same name.
Run time: 22:19.

08 November 2012

Klezmer Podcast 95- Shpilkes



Klezmer Podcast 95- Shpilkes. On my recent visit to Paris, France, I met up with Eleonore Biezunski of the band Shpilkes. Eleonore is a wonderful Violinist and Vocalist, who has performed with several groups around Paris and has participated in several Klezmer and Yiddish workshops. We also hear the track Hoffman Mazel Tov from their self-titled album. Run time: 19:24.


08 October 2012

Klezmer Podcast 94- Gefilte Swing

Gefilte Swing- Laurent, Muriel, Alexandre, Sylvain, Yann

Yidl Mitn Swing Cover

Yidl Mitn Swing CD Label
           

Klezmer Podcast 94- Gefilte Swing. While visiting Paris, I was able to catch a performance by Gefilte Swing, a band that specializes in Swing-Era Yiddish song. They have great energy, and have a real love for this music. We hear the track Besarabye from the album Yidl Mitn Swing. And check out the retro 78- record style label on the CD! Run time: 17:56.  

16 July 2011

Review: Radio Babel



Watcha Clan, the French-Mediterranean group from Marseilles, is at it again with their newest release, Radio Babel. If there is a band who could single-handedly bring about World Peace, this is the one. Unlike the biblical Babel, which caused Man’s separation by creating all the different languages, this album succeeds in bringing many languages and cultures together to celebrate the One-ness of mankind.

The siren of the group, Sista K, sings in multiple languages with ease, and manages to communicate the feeling of each song perfectly. French, English, Arabic, Spanish, Yiddish, and more are handled with finesse.

Suprem Clem is the gifted beat-master who comes up with the most danceable background rhythms that perfectly complement Sista K’s luscious vocals. His balanced use of Electronic beats and Acoustic instruments are the key ingredient in the band’s worldwide success. There is never a moment that goes by without something interesting happening in this music.

The central idea of World Peace is given focus with three tracks on the album. The opener, With or Without The Wall, as well as the longer version, With or Without Extended Mix, rail against the concept of any kind of wall, physical or political. A line spoken on the track conveys the simple idea: “It is time to make peace in every land.” Another spoken voice is more direct: “But the idea that you can actually put the wall and so that there will be no contact and that there will be therefore no violence is just not true. The people who want to do violence will do the violence with or without a wall. With a little more difficulty or less difficulty.” The extended version is more of a dance mix, with more electronic and vocal beats, some great Bass and Guitar riffs, and some cool panning effects. The third track of the group is We Are One, Watcha Clan’s plea for a single global community. As Sista K offers: “Land and Men. Who does the land belong to? Men or God? Nobody owns the land. Land is free. So why wars, why borders?” I applaud Watcha Clan for their noble goal. If World Peace cannot be achieved through political and diplomatic efforts, maybe it could be achieved through the sharing of music, one of the most powerful forms of communication there is.

Hasnaduro is a feature for Nassim, accompanied by Sista K, and has a full complement of North African Arabic rhythms and modality. I love this style. It is full of energy and makes you just want to sing along.

Im Min Alu Intro/Im Min Alu starts with a reed instrument opening, brass choir and Sista K soaring above them all, then switching into a Klezmer-style beat for a moment before going into a Spanish/Ladino vocal with a terrific blend of electronic beats and fills. Suprem Clem uses a wide range of sound effects in his work, and for this song he has chosen a doorbell and creaky door to fill the gaps.

Il Etait Une Fois Dans L’Est starts with a Banjo and whistling before Sista K joins in with a beautiful rendition of the Yiddish standard Shen Vi Di Lavone. Some Klezmer style Violin fills complete the authentic feel, and the switch to a French vocal seems just right. The slower pace gives a short respite from the fast pace of much of the album.

Driving electronics and drums with Electric Guitar keep the pace fast on Fever Is Rising, another plea for peace, and perhaps a musical response to this year’s political upheavals among the Arab nations. With the spoken lines, “It is time to make peace with the planet.” “And the fever is rising.” “Out of sight and out of mind”. “Life or death. But there is hopeful news as well. We have the chance to change the world.” “We are what is wrong.” “Now is the time.” “And the fever is rising” becomes a chant repeated through the song, acknowledging the rising tide of grassroots political change.

Tangos Del Cachito and El Quinto Regimiento give Sista K a chance to sing in Spanish, and the electronic beats will surely keep the dancers on the floor, especially the Flamenco-influenced latter track.

Osfour takes us back to the Arabic world, with the appropriate electronic effects and simpler acoustic Guitar and Bass keeping the song from getting too heavy. La Camel keeps us in the same geographical zone, with Arabic and French bouncing back and forth, and a heavier electronic remix feel keeps things moving. A fun surprise at the end is to switch into an old big band version of Bei Mir Bistu Shen, fading out with an old scratchy record sound layered on top.

Viens Viensopens with and old scratchy record sound then goes into a Piano solo before transitioning to a fast beat and French lyric. Some great Guitar riffs and driving electronics keep this track on the move.

Gypsy Dust takes us far away to the Balkans where these regional Brass Band rhythms are blended with Suprem Clem’s electronic wizardry to create another wonderful Watcha Clan mashup.

Ashanti blends Sista K’s english lyrics with African rhythms, chants, and hand claps and driving electronics to give another dance track that will bring everyone out on the floor.

Radio Babel succeeds on so many levels. Multiple languages, varied ethnic beats, clever use of Electronics, and masterful musicianship combine to drive Watcha Clan to the top among World Music groups. Listen and enjoy. Feel the world beats. Let yourself be taken on the global journey that is Radio Babel.

Band Members:
Matt Labesse (bass)
Nassim Kouti (vocals, guitar)
Sista K (vocals)
Soupa Ju (production & management)
Suprem Clem (sampling, programming, keyboards)

Track List:
1. With Or Without The Wall 2:11
2. We Are One 3:58
3. Hasnaduro 3:47
4. Im Nin'alu Intro 1:47
5. Im Nin'alu 3:21
6. Il Était Une Fois Dans L'est 4:02
7. Fever Is Rising 4:30
8. Tangos Del Cachito 3:27
9. Osfour 3:58
10. La Camel 2:06
11. Viens, Viens 4:27
12. Gypsy Dust 4:24
13. Ashanti 5:10
14. With Or Without The Wall (Extended Mix) 4:49
15. El Quinto Regimiento 4:09
16. Overseas Rêveries (Digital Bonus Track) 5:15

Piranha Musik- Radio Babel
Watcha Clan Website

23 September 2010

Klezmer Podcast 69- Babayaga




Klezmer Podcast 69- Babayaga. On this episode my interview guest is Yann Le Glaz, Saxophonist and leader of Babayaga, a band based in France. The band plays an eclectic mix of traditional and modern Klezmer with some Balkan influences. Yann talks about his interest in Klezmer, a new Vocalist for the band, and an upcoming DVD project. We also hear a track from the self-titled Babayaga album Le Petit Gogol Aux Ciseaux.
Run time: 30:29.

14 April 2009

Review: Traveling The Face Of The Globe





Review: Traveling The Face Of The Globe
Oi Va Voi



I have to admit that I am a newcomer to the music of Oi Va Voi. Having said that, I can say that their music is immediately recognizable as their own, mixing several musical styles with their London Pop groove and creating a signature sound that I would call World Pop. Oi Va Voi have put together a magic combination of pop music and lyrics, with the elements of Gypsy/Klezmer/Latin/Flamenco rhythms and melodies. This is what we are presented with in great abundance on their new album Traveling The Face Of The Globe. The title grabbed my attention right away. Traveling and music go together very naturally, so I was eager to see what the band had came up with and whether the music would live up to the title.

The opening track, Waiting, sums up my feeling of having missed out on Oi Va Voi for the 10 years they have been together, since their days at Oxford. The song has a feeling of anticipation, with a good hook and a nice background of pizzicato strings and smooth horns. And we are introduced to the lush vocals of Bridgette Amofah.

I Know What You Are switches gears and shows how the band starts to mix world styles with pop lyrics. The song starts with a Klezmer Clarinet in a slow hora tempo with Accordion providing the rhythm. Amofah sneaks in with the vocal in a subdued low key. The song builds from there with the addition of drums, horns, and more strings. A Cantorial interlude keeps the Jewish feeling going as the song builds in intensity then drops suddenly back to the simple, quiet ending.

The title track, Traveling The Face Of The Globe, starts out again with a Klezmer-style intro using a Bulgar rhythm, then switches abruptly to the pop vocal of Amofah, yet is sprinkled with Klezmer fills from the horns. This song speaks of travels around the world and mentions a number of sites and countries. A hot Trumpet solo break from David Orchant adds to the excitement and leads back to the vocal.

Every Time is my favorite track, and shows a different side of the band. A mellow intro leads to the smooth, airy vocal of Stephen Levi, who adds a bit of Cantorial improvisation along the way. Later, the song shifts character in true Oi Va Voi fashion. A haunting Klezmer Clarinet break leads into a high energy vocal from Amofah with a pop style background. Then Levi returns with the opening theme overlaid. I really like the way these two different melodies mix, the mellow with the energetic. It’s a very interesting bit of arranging.

S’Brent features guest Yiddish Vocalist Agi Szaloki in a slow ¾ tempo. A solo from Violinist Anna Phoebe adds to the cultural authenticity of the song, before moving to a heavier pop instrumental through to the end.

Magic Carpet takes us a bit further afield on the world music stage, starting in a Latin electronic feel and ending in a Middle Eastern String/Percussion vibe. As the band’s only instrumental track, it serves as a showcase for the great musicianship and arranging talent of the band. I really like the way the Trumpet and Clarinet sound together on this track.

Dusty Road is another feature for Amofah, slightly reminiscent of American Folk music. But then a Jazz Trumpet comes along to mix things up. Adding an Electric Guitar and Violin break changes things yet again. And check out the Jew’s Harp and Whistling at the end adding a cool effect.

Foggy Day is my second favorite song. Opening with solo Acoustic Guitar, Amofah again treats us to her heartfelt Vocal and her ability to convey a feeling of isolation in a small town shrouded in fog and gloom. She walks the streets in anonymity, unseen, and nobody knows her name. Then she sings of climbing above the city to a dreamy place in the sun with bight water and clear skies. In true Oi Va Voi fashion, they sneak into a Flamenco Percussion rhythm which somehow is a perfect juxtaposition to the slow Vocal.

Wonder is a nice ¾ tempo pop ballad with an airy Vocal by Amofah accompanied by Acoustic Guitar and Violin.

Long Way From Home
is another favorite of mine. A memorable Vocal melody mixes with a great rhythmic rock accompaniment from the Guitar and Bass, as well as Klezmer fills from the horns.

Stitches And Runs
is a fun song that starts with strings and drums and moves to Clarinet and Vocal. The middle section changes character with a slower tempo, then picks back up for the ending.

The final track, Photograph, features guest Vocalist Dick Rivers with a French monologue and English Vocal. The weary sound of his voice perfectly fits the reflective and somber feeling of the song. The subdued accompaniment from the band lets the voice carry the song, giving a final farewell to our global travels.

The mix on this CD is excellent, with each instrument clear and distinct, and just the right amount of processing on the vocals. It sounded great on everything from earbuds to my home theater. Since I had only a promotional copy of the CD I do not have a full list of credits or complete liner notes. The packaging was minimal. I will update this review if I can get a full production copy of the album, which has a release date of 11 May, 2009.

It is clear that Oi Va Voi have established themselves as a force on the worldwide pop scene, and adds a twist by adding ethnic influences to their original compositions. I love the sound of the group and look forward to seeing what direction their music will take next. I highly recommend this album to both those who are already Oi Va Voi fans and those that are seeking out new music. Oi Va Voi have won me over and I will be following them closely.

As a suggestion for anyone who for whatever reason doesn’t want the entire album, I would recommend that you at least purchase my favorite tracks: Every Time, Foggy Day, and Long Way From Home.

Keith Wolzinger
Klezmer Podcast

Traveling The Face Of The Globe
Oi Va Voi
Oi Va Voi Recordings OiVaVoiCD2
2009

Band Members:
Nik Ammar (Guitar, Vocals)
Bridgette Amofah (Vocals)
Josh Breslaw (Drums)
Stephen Levi (Clarinet, Vocals)
David Orchant (Trumpet)
Anna Phoebe (Violin)
Lucy Shaw (Bass)

Track List:
Waiting 4:10
I Know What You Are
Travelling The Face Of The Globe 3:48
Every Time 5:36
S'brent 3:56
Magic Carpet 4:34
Dusty Road 3:17
Foggy Day 3:36
Wonder 3:16
Long Way From Home
Stitches And Runs 3:38
Photograph 3:43

Links:
Oi Va Voi MySpace
Facebook
Oi Va Voi interview on Klezmer Podcast